The Superman Motion Picture Anthology, 1978-2006 [Blu-ray]

The Superman Motion Picture Anthology, 1978-2006 [Blu-ray]

Soar to New Hi-Def Heights with the Complete Movie Collection in Breathtaking Blu-ray Clarity and Sound! Deluxe 8-disc set with over 20 hours of bonus features! Includes: Superman The Movie Superman The Movie: Expanded Edition Superman II Superman II: The Richard Donner Cut Superman III Superman IV: The Quest for Peace Superman Returns Superman: The Movie- Richard Donner's 1978 epic about the Man of Steel showed how a film about a superhero could be a moving and romantic experience even for people who long ago gave up comic books. Beginning on the icy planet Krypton, the story follows the baby Kal-El, whose rocket ship lands in Smallville, Kansas. He is found there by a childless couple and raised as the shy Clark Kent (the young Kent is played by Jeff East). The film is perhaps most touching in these sequences, with expanses of wheat fields blowing in the wind and with a young man who can't figure out what part in destiny his great powers are meant to play. The second half, with Reeve taking over as Clark/Superman, is bustling, enchanting (the scene in which Superman flies girlfriend Lois Lane--played by Margot Kidder--through the night sky is great date material), and funny, thanks largely to Gene Hackman's sardonic portrayal of nemesis Lex Luthor. --Tom Keogh Superman II: The Richard Donner Cut- The Richard Donner cut of Superman II is an infamous legend come to life. Director Donner shot most of the sequel at the same time as his first blockbuster film, but somewhere along the line, the producers and studio lost confidence and brought in Richard Lester ( The Three Musketeers ) to rework the film, and receive sole credit. For years fans speculated on how different the final film was from Donner's original until an underground copy appeared showing a fully formed feature. In an unprecedented move, Warner Brothers officially embraces this alternate version. For those who have not been part of the rumor mill, know that Donner shot all the footage with Lex Luthor (Gene Hackman). You can find blow-by-blow descriptions of what is new/changed elsewhere, but most of the changes deal with Christopher Reeve and Margot Kidder as the comic-book couple. Donner's cut provides alternate scenes for how Lois tests her hunch that Clark is Superman, the moment he reveals his identity, and how Lois unlearns that truth. Thing is, Lester's reshots are stronger, adding weight to the romance between the two, lifting the picture's stature. Lester also added the dandy Eiffel Tower opening. Donner's chief additions are in the Fortress of Solitude, where Marlon Brando returns to teach (Susannah York, as Superman's mom, appears in the Lester cut). The producers cut Brando's footage so they wouldn't have to pay him millions. The Brando/Reeve scenes continue the father/son dynamic of the first film. There is a great lesson in editing--Lester's less is better than Donner's more--when you compare how Kent turns back into Superman after losing his powers. The Donner cut is completely formed but does use some rehearsal footage, new effects, and some pieces shot by Lester. The history of cinema has many of these stories of movies reshot, hijacked, and changed from the original version, but here the underdog wins and Donner gets his chance to change history, even adding a note in the end credits about the use of fur and smoking as regrettable choices of the time. Director Donner and creative consultant Tom Mankiewicz have a jolly good time revisiting their past on the commentary track. You get a clearer picture of who shot what, but the two have nothing good to say about Lester's edition. Donner doesn't go much into why he was dropped, just a difference of opinion and the need not to pay Brando. He also explains why the déjà vu ending of this edition was used in the first movie and a new ending would have been thought up for part 2. A quick featurette looks at how Michael Thau and a small crew reconstructed the film and compares several scenes from both versions. Also added are additional scenes shot by Donner but not used, most with Hackman. --Doug Thomas Superman III- Here was a case in which the progenitors of this successful comic-book adaptation figured they had to go in a new direction--and chose the wrong one. For starters, they recruited comedian Richard Pryor, who was the kiss of death for almost every movie he was in except his own concert films. He plays a computer specialist who is hired by a criminal mastermind (Robert Vaughan) to help him take on Superman by exposing him to a new form of Kryptonite: red Kryptonite, which always had unpredictable effects in the comic books. In this film, it splits Superman in two, dividing his good self from his dark side. The special effects had gone about as far as they could, and this movie strains to hold an audience's interest for its full running length. --Marshall Fine Superman IV: The Quest for Peace- The law of diminishing returns: It's the law--obey it! Someone should