Decorative Art 50s

Decorative Art 50s

Published annually from 1906 until 1980, Decorative Art, The Studio Yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers . TASCHEN’s Decorative Art 50s explores the spirit of optimism and the fervent consumerism of the decade. Technology and construction had been enervated by research during the war and these discoveries could now be applied in peacetime. The popularization of plastics, fiberglass, and latex literally shaped the decade . Rising incomes and postwar rebuilding on both sides of the Atlantic led to a massive housing boom in both the suburbs and inner cities, and these new homes reflected the new style. While European design was extraordinarily inventive, American design was looking to an idealized vision of the future —between them a modern idiom was developed that can be seen vividly on these pages. This overview of the decade includes the work of such famous innovators as Charles and Ray Eames, George Nelson, Hans Wegner, and Gio Ponti. “An indispensable tool for collectors: names are named, designs praised and accusations made.” ― San Francisco Examiner Magazine Charlotte and Peter Fiell are well-known design authors having written over 70 books on the history, theory, and criticism of design. The Fiells have lectured widely, guest taught courses, curated exhibitions, and consulted manufacturing companies, museums, salerooms, and major private collectors around the world. Together, they have written numerous TASCHEN books, including 1000 Chairs , Design of the 20th Century , Industrial Design A–Z, 1000 Lights , Scandinavian Design , and, most recently, the double-volume Ultimate Collector Cars, Ultimate Collector Motorcycles and Ultimate Collector Watches.